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It's great that we have commercial filmmakers who make family films and understand the aesthetics well, taking this route. They know how to bring the emotions out there without being vulgar. After all, it's a natural instinct.
Unfortunately, we are living in an era where plenty of songs with vulgar, objectionable lyrics are also becoming popular. It's a disturbing trend, and I feel really sad when I see small kids dancing to such numbers in television shows. In my career so far, I have refused any song whose lyrics I haven't been comfortable with.
Over the years, the idea seems to have grown up that brightly coloured flowers are vulgar, and that the only flowers to be admitted to the walled garden of good taste are discreet and pastel-hued.
In the South, there is a celebrated Telugu film director name Raghavendra Rao, who is known for shooting women's mid-riff in a certain manner. They are done in a very aesthetic manner and doesn't look vulgar. Now, it is up to the audience how they are going to watch it. As long as the girl is comfortable acting in it, I see nothing wrong.
The capacity to be intrinsic and vulgar is American.
People who attack biography choose as their models vulgar and offensive biography. You could equally attack novels or poems by choosing bad poems or novels.
I love the vulgar. I kind of have the humor of a 17-year-old boy.
Fact is based upon vulgar matter.
I've never understood the use of vulgar language, but the definition of 'risque' is open to interpretation. I suppose I did many things in my shows that could be considered risque... at the time... right up until my 90s.
It's a very ancient culture, British culture. You can't be seen to be too wealthy, and you certainly can't be seen to be giving away any of your wealth either because that's sort of vulgar, too. It's funny, that, because in New York, if you are wealthy, you have to be philanthropic to be successful.
We had a heroic attitude to artistic freedom, and we thought normal contracts were a bit vulgar - somehow not punk. But that was the whole point - we weren't a regular record label.
Comedy in the past hasn't spoken to women because it wasn't written by women, and male writers don't make women three-dimensional characters. Too often, women just facilitate the man's comedy: they're not crazy; they're not funny. But women are as vulgar as they are elegant, as stinky as they are smelling of eau de parfum.
So must the writer, whose productions should Take with the vulgar, be of vulgar mould.
Television is not vulgar because people are vulgar; it is vulgar because people are similar in their prurient interests and sharply differentiated in their civilized concerns.
A philosopher is, no doubt, entitled to examine even those distinctions that are to be found in the structure of all languages... in that case, such a distinction may be imputed to a vulgar error, which ought to be corrected in philosophy.
A man might actually brush off vulgar tweets that come to him. Women are likely to be affected by it.
Donald Trump wouldn't work on paper. Obnoxious, crass, boastful, and vulgar, with garish tastes and a Stepford wife - as a fictional character, he'd seem too crudely drawn. Even in a trashy airport thriller, readers wouldn't buy such a boor as president.
There is something a little vulgar about writing a novel that is too close to the present, too concerned with current events, too eager to critique technological advancements.
There is a fine line between being glamorous and vulgar. I am open to glam roles as long as they don't look vulgar on screen.
I don't do marriage. I think it's incredibly naff. And I don't like vulgar displays of ostentation.
I absolutely love television, and I don't mean to be vulgar, but as I keep having to explain to people from the movie industry, I get more power and more money doing television, so why on earth would I do a film?
Well, if I am not vulgar, neither is my book. I wrote myself. Suggestiveness is always vulgar. But truth never. My book is not even remotely suggestive. I call things by their names. That is all.
There's a bizarre prejudice that exists in the New York publishing establishment that any work outside the tri-state area is being done by trained chimpanzees, that geography screens out sensibility. There's an idea that all Los Angeles writing is about the movie industry, that it's vulgar, shallow and banal.
Vulgar and common persons, as they carry nothing out of this world, so they leave nothing in it: they receive no eminency in their birth, they acquire none in their life, they have none when they die, they leave none at their death.
A cat is never vulgar.
Carl Van Vechten
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